The actor filming _ 2015. This means literally to enter the frame just as painters at some point also entered the canvas.
The frame becomes an arena in which the body becomes an extra sensitive surface that receives and reflects into a web of flux. In a series of short films, Studio Visits, I tried to feel this direct tension of being inside the network of potentialities created by objects. One step ahead of any explanatory or illustrative purpose, to remain in the ‘unthought’, where, as Gilles Deleuze says in ‘The Time Image’, “the body is no longer an obstacle that separates thought from itself, that which it has to overcome to reach thinking”. (See Casting Call).